When Time Loses Its Nerve
What Happens When the Future Loses Its Authority
For the past few months, my nervous system has been living through a private storm. The war in Iran, the fear for my family, the helplessness of distance, and the ordinary demand to keep functioning have pressed themselves into my body in ways language can barely hold. I found myself returning to Macbeth’s bleak speech about time, death, and meaning, because despair has a strange intelligence when one listens to it closely. This poem is my attempt to stand inside that darkness without letting it become my master.
To morrow, and to morrow, and to morrow,
repeated until the present grows unbearable,
until now becomes a blade
the tongue circles but will not touch.
Creeps in this petty pace from day to day,
time stooping, limping,
dragging its robes across the floor
of the unwilling heart.
To the last syllable of recorded time;
where the sentence closes
regardless of whether the reader
ever learned mercy.
And all our yesterdays have lighted fools
memory, a firebrand
that guides by burning the hand
that dares to carry it.
The way to dusty death.
dust not as ending,
but as form stripped of its insistence,
bone humbled into belonging.
Out, out, brief candle!
the breath blown thin,
surrender mistaken for extinction,
light learning it was never the source.
Life’s but a walking shadow, a poor player
a silhouette mistaken for the self,
movement confused with being.
That struts and frets his hour upon the stage,
anxious ownership, clenched time,
the tragedy of calling the hour mine.
And then is heard no more.
sound dissolving into the vastness
that held it all along.
It is a tale told by an idiot,
mind untethered from love,
narrating to avoid listening.
Full of sound and fury,
grief disguised as thunder,
sorrow wearing armor.
Signifying nothing.
nothing as the open palm,
the uncarved silence,
the doorway emptied of idols.



This poem needs no commentary from me, Elham, beyond saying that I like the way you've woven your own thoughts and words through Shakespeare’s famous soliloquy. I can feel you feeling everything.
Elham, what struck me was that you didn’t try to rescue Macbeth from his despair or argue against it. You entered it with enough stillness to discover that the same words can open toward a different horizon.
I found myself rereading “light learning it was never the source” and “mind untethered from love, narrating to avoid listening.” Those lines gently shifted the center of the soliloquy. They didn’t contradict Shakespeare; they invited me to read him again.
Perhaps that is what good reflection does. It doesn’t erase the darkness. It changes the way we stand within it.
Knowing this emerged from the uncertainty of waiting, distance, and concern for your family gives the piece an added gravity. It feels less like an interpretation of Macbeth than a conversation with it.